Photography Workshop II

N/A

The methodological options leading to the fulfillment of the curricular unit’s program will focus on three

fundamental pedagogical components:

6.1. Theoretical component – oral presentation oriented towards the foreseen contents, using multimedia resources whenever possible;

6.2. Practical component – practical exercises for exploring and consolidating the contents of the course.

6.3. Theoretical-practical component – study and presentation of works/productions;

6.4. The evaluation of the curricular unit will take place, by option of the student, in one of the following ways:

– Continuous evaluation;

– Exam.

6.4.1 Continuous evaluation: work 1 (40%); final portfolio (60%);

6.4.2. Exam: written test with a weight of 25%, followed by a practical test of photographic capture and editing.

3.1. To deepen the theoretical and practical knowledge of digital image production;
3.2. Development of digital photographic image editing processes;
3.3. To explore different photographic image composition strategies;
3.4. To know and identify reference artists and photographers of contemporary photography;
3.5. To be able to visually communicate specific messages to a specific target audience;
3.6. To analyze, both critically and reflectively, the photographic image;
3.7. To design and create original photographic portfolios in a “creative photography” perspective.

4.1. Creative photography.
4.1.1 Creative Artists and Photographers.
4.1.2 Creation of value, authorship and copyright.
4.2. Techniques and strategies of creative photography: contemporary art; photo montage and staging; illustration; surrealism and fantastic art.
4.3. Development of digital image editing techniques
4.4. Photographic Production
4.4.1. Photographic Projects and Portfolios
4.4.2 Creative photography: Carl Kleiner and Chema Madoz.

• - Final Portfolio - 60.0%
• - Individual and/or Group Work - 40.0%

• - Practical test of fotographic capture and editing - 75.0%
• - Exam - 25.0%

NAO

Antonini, M. (2015). Experimental Photography: A Handbook of Techniques.Thames and Hudson.

Anderson, B. & Geyen,J. L. (2012). The DSLR Film Makers Handbook. Real-World Production Techniques. Indianapolis: John Wiley & Sons,Inc.

Burbridge,B.(2015).Revelations.Experiments in Photography. London:Mach,Media Space.

Caplin, S. (2008). Art & Design in Photoshop. How to simulate just about anything from great works of art to urban graffiti.Focal Press .Elsevier.

Cotton, C. (2007). The Photography as Contemporary Art. London: Thames and Hudson.

Evening,M. (2012). Adobe Photoshop CS6 for photographers. Focal Press, Elsevier.

Hacking, J. (2012).Photography: The whole story. Thames and Hudson.

Langford, M. (2007). Basic Photography. The Guide for serious photographers.Elsevier.

Mushburger,R.B. (2010). Single-Camera Video Production. Elsevier e Focal Press.