History of Art and Artistic Movements

Base Knowledge

Not applicable

Teaching Methodologies

The delivery of the program will involve classes TP(12.5h) and PL(12.5h), asking if, in this sense, the active participation of the student in the classroom during the presentation of the contents on the part of the teacher. They will also promote group works, the organization of study visits followed by the preparation of reports and the organization of work, as the evaluation set. The evaluation complies with the established in the Internal Regulation of the School of Education so that the students can choose one of the following modalities of evaluation: evaluation by frequency or evaluation by examination. The frequency or continuous assessment will be based on the student’s organization of practical assignments inside or outside the classroom (10%); In a written test (50%) and in the organization of a work and its presentation (40%). The evaluation examination based on the achievement of a single written test to be held at the end of the semester.

Learning Results

1- Identify underlying principles to the study of artistic movements in historical perspective. 2- Know the History of Art, the main cycles and the lines of continuity and change in artistic production, from its origins to Contemporary Art. 3- Relate the visual arts to political ideologies, science, literature, theater, cinema and history. 4- Acquiring habits of historical-artistic research oriented towards specific objectives. 5- Develop skills in the critical analysis of artistic work.

Program

1. Introduction to the study of artistic movements 1.1. Problems, sources and methodology 1.2. Art periods and terminology 2. The History of Art and Artistic Movements 2.1. Artistic techniques 2.2. Paths of architecture and Western art from Antiquity to Neoclassicism: its historical contextualization 2.3. Characterization of artistic movements of rupture in Western art, from the nineteenth century to the avant-garde of the twentieth century 2.4. A new field: the art of performance 3. History of Art and Artistic Research 3.1. Researching an art form 3.2. The History of Art and the contemporary artistic production 3.3. National and international art and artists to discover

Grading Methods

Continuing Evaluation
  • - practical works - 10.0%
  • - Individual and/or Group Work - 40.0%
  • - test - 50.0%
Exam
  • - Exam - 100.0%

Internship(s)

NAO

Bibliography

ARGAN, G. C. (1995). Arte e Crítica de Arte. Lisboa: Estampa.
BARRAL I ALTET, X. (2011). História da Arte. Lisboa: Edições 70.
BERGER, J. (1996). Modos de ver. Lisboa: Edições 70.
CRISPOLTI, E. (2004). Como estudar a Arte Contemporânea. Lisboa: Estampa.
FERREIRA, G. e COTRIM, C., Orgs. (2012). Escritos de Artistas. Anos 60/70. Rio de
Janeiro: Zahar.
FERRARI, S. ( 2001). Guia de História da Arte Contemporânea. Lisboa: Presença.
GOLDBERG, R (2007). A Arte da Performance. Lisboa: Orfeu Negro.
GOMBRICH, E. H. (2005). A História da Arte. Lisboa: Público.
HAUSER, A. (2000). História Social da Arte. São Paulo: Martins Fontes.
MELO, A. (1998). Artes Plásticas em Portugal. Dos Anos 70 aos Nossos Dias. Lisboa: Difel.
MICHELI, M. de (1991). As Vanguardas Artísticas. São Paulo: Martins Fontes.
SÁNCHEZ-MOSCOSO, V. A. (2003). Arte del Siglo XX. Madrid: Dykinson.
SPROCCATI, S. (2002). Guia de História da Arte. Lisboa: Presença.
VENTURI, L. (1998). História da Crítica de Arte. Lisboa: Edições 70.