Art Theory

Base Knowledge

N/A

Teaching Methodologies

6.1- The methodological options leading to the fulfillment of the curricular unit’s program will focus on the following pedagogical strategy:
– Oral presentation centered on the planned contents, with the presentation of images of artworks; – Study and reflection on theories, works and reference authors; reading.

6.2- The assessment in the course will take place, at the option of the student, in the following ways:

– Continuous evaluation;
– Exam.

The evaluation in those modalities will obey criteria that will be explained in the statements and/or other elements presented, according to the following components and percentage:

CONTINUOUS EVALUATION
– In-person participation – 20% of the global assessment;
– Written test or Individual/group work – 80% of the global assessment.

EXAM
– Mastery of syllabus – 70% of the overall assessment of the exam;
– Ability to communicate ideas – 30% of the overall assessment of the exam.

 

Learning Results

3.1- To know the main theories of art;
3.2- Identify and interpret specific cases in contemporary art;
3.3- Analyze and interpret works and art situations in their different historical, social and cultural contexts;
3.4- Understand the problem of the definition and function of art and its systems (production, market and institution);
3.5- Knowing how to analyze a work of art and make critical reflections on your own personal aesthetic experience.

 

Program

4.1- Introduction to the study of art and definitions of art. The discourse of artists and theories of art;
4.2- Art theory;
4.2.1- Modern art: Vanguards, Fluxus, Wolf Wostel, Ernesto de Sousa (Alternativa Zero);
4.2.2- Post-modern art: Pop art, Neo-expressionism, Anti-aesthetics, Feminism, Post-colonialism art;
4.2.3- Contemporary art: Institutional Theory (George Dicky), “liquid modernity” (Zigmunt Bauman);
4.3 – The institutional system of contemporary art: museums, art centers, critics, collections, curators, artists, art galleries, art fairs (ARCO, Madrid, Lisbon, Basel, Miami) and biennials (Venice, S. Paulo).

 

Curricular Unit Teachers

Nuno Miguel Chuva Vasco

Grading Methods

Continuing Evaluation

Individual and/or Group Work - 80.0%

Attendance and Participation - 20.0%

Examen

Mastery of syllabus - 70.0%

Ability to communicate ideas - 30.0%


    Internship(s)

    NAO

    Bibliography

    Bibliografia de consulta/existência obrigatória /
    Main Bibliography Becker, H. (2010). Mundos da Arte. Livros Horizonte.
    Burger, P. (1993). Teoria da Vanguarda. Vega.
    Carrol, N. (2010). Filosofia da Arte. Texto & Grafia.
    Chalumeau, J. ( 1997). As teorias da arte, filosofia, crítica e história. da arte de Platão aos nossos dias, Instituto Piaget.
    Didier-Hubernan, G. (2011). O que nós vemos, o que nos olha. Dafne Editora.
    Goldberg, R. (2007). A arte da performance: do futurismo ao presente. Orfeu Negro.
    Grosenick, U. (2005). Mulheres Artistas nos séc. XX e XXI. Taschen.
    Grosenick, U.; Riemshneider, B. (2005). Art Now. Taschen.
    Heartney, E. (2001). Postmodernism. Tate Publishing.
    Klee, P. (2003). Escritos sobre Arte. Cotovia.
    Melo, A. (1998). Artes Plásticas em Portugal: dos anos 70 aos nossos dias. Difel.