Dança

Teaching Methodologies

The syllabus will be approached in combination the increasing levels of complexity and treated in such a way as to establish interconnections between theoretical knowledge – exposition and dialogue, experimentation, creation and observation/analysis (Interpret/Create/Appreciate).

 

This  practical curricular unit will have an exclusively continuous evaluation [100% = 20 values] considering the items:

1) Laboratory work – conception of dance exercises and a dance lesson plan (25%)

2) Practical tests- performance bodily/expressive movement (65% )

3) Participation  (10% )

 

Under point 8 of article 13º of the Academic Regulation of the 1st cycle of studies at ESEC, the student must meet the following specific conditions for access to the exam: have attended 60% of the classes and  in the continuums evaluation have a minimal classification of 40% on item 1) and 50%  on item 2).

The exam have a  written (50%) and practical test (50%).

Learning Results

1. Understand the educational value of Dance in the educational dimension in Pre-School and 1st Cycle of Basic Education.

2. Interpreting the elementary language of dance suitable for Pre-School and 1st Cycle of Basic Education, developing expressive, communicative and creative skills through experiencing and analysing multiple practical situations.

3. Experimenting /creating with elements of movement (dance compositions) and expressive and rhythmic activities with popular roots.

4. Analysing dance in an interdisciplinary approach to education.

5. Design exercises and lessons for Pre-School and 1st Cycle of Basic Education, applying the pedagogical and methodological dance strategies studied.

Program

1. Introduction to the study of dance: importance in the overall formation and development of the individual.

2. Movement elements:

2.1. The body (body parts, body actions locomotor and non-locomotor and body shapes);

2.2. Space (self / general – paths, directions, levels, planes and volumes) 2.3. Time (rhythm, duration and speed);

2.4. Energy/movement dynamics (weight and fluency);

2.5. Relationship (I / I, I / other, I / small group, I / large group and I / objects and environments);

2.6. Composition of movement;

2.7. Integrating the elements of movement and other areas of knowledge.

3. Expressive and rhythmic activities with popular roots:

3.1. Lengalengas, sung games and traditional dances – recreation.

4. pedagogical intervention: knowledge and skills based on the elements of dance, programme content and stimuli, lesson structure and pedagogical progression.  

Grading Methods

Continuous evaluation
  • - Laboratory work or Field work - 25.0%
  • - Practical tests - 65.0%
  • - Attendance and Participation - 10.0%
Exam
  • - Theoretical component - 50.0%
  • - Practical component - 50.0%

Internship(s)

NAO

Bibliography

Carline, S. (2011). Lesson plans for creative dance. Connecting with literature, arts, and music.  Human Kinetics.

Cone T. & Cone S. (2012). Teaching children dance. Human Kinetics.

Fernandes, M. (2006) Danças, jogos cantados e lengalengas : materiais comunicativo-expressivos da cultura popular portuguesa. In: Dança e movimento expressivo. – Cruz Quebrada , p. 99-105.

Gilbert, A. (2015). Creative Dance for All Ages. Human Kinetics.

Leandro, C., Monteiro, E. & Melo, F. (2018). Manual de Dança Criativa: uma aprendizagem interdisciplinar no 1.ºCiclo do Ensino Básico. Psicosoma.

Overby, L.; Post, B. & Newman, D. (2005). Interdisciplinary learning through dance: 101 moventures. Human Kinetics.

Minton, S. (2013). Coreografia: método básico de creación de movimento. Paidotribo.

Payne, H. (2013). Creative Movement & Dance in Groupwork. Taylor&Francis.