Música

Teaching Methodologies

Experience and appropriation of conceptual components in close coordination with the development of musical skills-memory, motor skills, rating processes – through the use of personal and collective experimentation, based on activities in the following areas: – hearing music (active listening/memorization/registration), – musical interpretation, -creative expression.

 

Continuous/periodic evaluation:

– Class participation – 50%

– Final assignment – 50%

Exam:

– Written test – 100%

 

Learning Results

1) To develop the knowledge and understanding of music as a social construct and as culture; 2) To listen, analyze, describe and understand the codes and conventions that constitute the musical vocabulary, through hearing, movement and vocal and instrumental practice; 3) To develop auditory sensitivity and discrimination; 4) To sing and play, using appropriate and contextualized musical techniques and practices; 5) Use and take ownership of differentiated forms of musical notation (conventional and unconventional).

Program

1. Musical culture – music as structural element of cultures and societies 2. Musical theory and musical education 2.1. Rhythm and melody: duration, meter, pitch 2.2. Expressive elements: timbre, dynamics, agogics 2.3. Formal elements: frase, patern, section; ostinato; binary and ternary forms; Canon, Rondo 2.4. The musical code (conventional and non-conventional notation) 3. Vocal Practice 3.1. Singing in school – proposals for methodological approach 4. Movement and dance in musical expression 5. Instrumental Practice 5.1. Conventional and non-conventional instruments 5.2. Orff instruments 6. Active musical hearing

Grading Methods

Avaliação contínua
  • - Attendance and Participation - 50.0%
  • - Individual and/or Group Work - 50.0%
Exam
  • - Exam - 100.0%

Internship(s)

NAO

Bibliography

AMADO, M. L. (1999). O Prazer de Ouvir Música. Lisboa: Editorial Caminho BORBA, T.; GRAÇA, F.L. (1996). Dicionário de Música. 2ª ed, 3ª tiragem. Porto: Mário Figueirinhas.

GORDON, Edwin. (2000). Teoria de aprendizagem musical: competências, conteúdos e padrões. Lisboa: Fundação Calouste Gulbenkian, Serviço de Educação.

ILARI, B. (2006). Música, Comportamento Social e Relações Interpessoais. Psicolologia em Estudo, 11(1): 191-198.

PALHEIROS, G.B. (2003). Educação Musical em Diferentes Contextos. in Revista de Educação da APEM, 117:5-18. Lisboa: APEM.

SILVA, L.F. (2008). A Educação Musical em Portugal. in Revista Electrónica de LEEME [em linha]. Consultado em http://musica.rediris.es/leeme/revista/fernandes08.pdf.

SWANWICK, Keith (1996). A basis for music education. London: Routledge.

WILLEMS, Edgar (1984-1985). L’oreille musicale. 5e ed. Fribourg: Pro Musica.

WUYTACK, Jos (1992). Canções de mimar. adaptação Graça Palheiros. Porto: Associação Wuytack de Pedagogia Musical.