Base Knowledge
N/A
Teaching Methodologies
Being a discipline that aims to offer both the theoretical bases and the introduction to their practical applications, the methodology to be used will be based on a process of “explanation-exemplification” in which all subjects will culminate in practical work, individual or in groups, in which it will be part of the evaluation process. In this way, students will be able to apply the knowledge acquired immediately after exposure and be assessed continuously and individually for each content presented.
– 30% Continuous assessment (attendance, punctuality, performance in classes) – 50% Individual work:
– Development of a DAW session to record a show.
– Development of a DAW for streaming a show.
– Development of a session for mixing and recording/broadcasting simultaneously. – Written test
-20% Group Work – analysis, planning, operation, recording, and streaming of a show.
Learning Results
a)Analyze, manage and resolve the technical needs for recording a show.
b) Know how to interpret the needs of an event in order to be able to design a technical Rider to record it. c) Digital audio – Audio transmission protocols over ethernet and internet.
d) Assembly and tuning of a region or listening point for recording and/or broadcasting audio.
e) Digital streaming systems – audio and video protocols
f) Mastery of digital Audio and Video streaming platforms.
Program
1. Technical Riders: Reading, analysis and implementation of technical solutions. Understanding the needs of a project for its broadcast and recording.
2. DAW’s: Deepening knowledge and skills in handling DAW’s and their practical applications in recording or broadcasting a show or event.
3. Digital streaming systems. Development of streaming sessions for audio, or audio and video.
4. Digital recording systems. Development of DAW’s sessions for recording of a live or delayed event or show.
Curricular Unit Teachers
Miguel António Anselmo AlvesGrading Methods
- - Attendance and Participation - 30.0%
- - Individual tasks - 50.0%
- - Written test - 20.0%
Internship(s)
NAO
Bibliography
A. Raney, M. (2023). Foundations of Streaming Broadcast Media [Review of Foundations of Streaming
Broadcast Media]. Kabalo Research Publications.
Austerberry, D. (2013). The Technology of Video and Audio Streaming. Taylor & Francis.
David Miles Huber, & Runstein, R. E. (2018). Modern Recording Techniques (9th ed.). New York ; London Routledge Taylor Et Francis Group.
Focal Press. McCarthy, B. (2016). Sound systems: Design and optimization (3rd ed.).
Focal Press, Taylor & Francis Group. Corey, J. (2010). Audio production and critical listening: Technical ear training.
Focal Press. Self, D. (2009). Audio engineering.
Luini, J. R., & Whitman, A. E. (2002). Streaming audio : the FezGuys’ guide. New Riders.
McGraw-Hill Education. Kaye, D., & Lebrecht, J. (2000). Sound and music for the theatre: The art and technique of design.