Serigraphy

Base Knowledge

N/A

Teaching Methodologies

The methodological options leading to the fulfillment of the curricular unit’s program will focus on the following pedagogical strategy:

 

– Theoretical component – oral presentation oriented towards the foreseen contents, resorting whenever possible to multimedia resources.

– Practical component – monitoring and guidance in students’ work.

 

The assessment in the curricular unit will take place, at the student’s option, in the following modalities:

 

– Continuous evaluation;

– Exam.

 

The evaluation in those modalities will obey criteria that will be explained in the statements and/or other elements presented, according to the following components and weights:

 

Continuous evaluation

– Practical assignments – 100% of the global assessment

 

Exam

– Written test: 30%

– Practical work: 70%

Learning Results

3.1 Knowing screen printing as a printing art for designing and producing images and as an expression of plastic thought;

3.2. To know the different supports and materials used in the serigraphy, as well as their specific qualities;

3.3. Explore different approaches to serigraphy and engraving (linoleum) in the production of a printed image, while delving into the basic elements of visual language: form, line, texture, color, space;

3.4. Understand the fundamental notions related to the processes of transposition and multiplication of images;

3.5. Develop practical knowledge, manual and technical skills, as well as an efficient and compatible working methodology in production workshops: preparation of plates and screens, preparation of inks, use of colors, planning of printing stages, handling of specialized equipment, proper use of papers;

3.6. Learn about contemporary practices in the printing arts

Program

4.1. Serigraphy:

4.1.1. Silkscreen concept

4.1.2. The Pochoir: its characterization and constituent materials.

4.1.3. Screen printing equipment and materials

4.1.4. Print matrix

4.1.5. The silkscreen production flow: Pre-press; Printing and Post-Printing (mockup, typon, matrix, printing, drying, screen recovery)

4.1.6. Security and protection

Grading Methods

Continuing Evaluation
  • - Practical works - 100.0%
Exam
  • - practical works - 70.0%
  • - Written test - 30.0%

Internship(s)

NAO

Bibliography

Dawson, J. (1982). Guia completo de Grabado e Impresion. H. Blume Ediciones.

Demoratti, D; Komurki, J.; Bendandi, L. (2018). Mestres da Serigrafia. Editorial Gustavo Gili.

Elliot, B. (1971). Silk screen printing.  Oxford University Press.

Faine, B. (1990). Le Guide Complet de la Serigraphie. Dessain et Tolra.

Herrera, A. (2023). Manual de Serigrafía: Todo lo que necesitas para iniciar. Edição Kindle.

Kinsey, A. (1982). Serigrafia. Editorial Presença.

Krejca, A. (1990). Las tecnicas del grabado. Libsa.

Mara, T. (1998). Manual de Serigrafia. Blume.

Perry, M. (2011). Screenprint. Princeton Architectural Press.

Print Club London (2017). Screenprinting: The Ultimate Studio Guide. Thames Hudson.

Russ, S. (1974). Tratado de Serigrafia Artística. Ed. Blume.

Sampson, J. (2027). Screenprinting. The Crowood Press.

Westergaard, S., (2020).The Complete Guide Hardcover. The Crowood Press.