Art Theory

N/A

6.1- The methodological options leading to the fulfillment of the curricular unit’s program will focus on the following pedagogical strategy:
– Oral presentation centered on the planned contents, with the presentation of images of artworks; – Study and reflection on theories, works and reference authors; reading.

6.2- The assessment in the course will take place, at the option of the student, in the following ways:

– Continuous evaluation;
– Exam.

The evaluation in those modalities will obey criteria that will be explained in the statements and/or other elements presented, according to the following components and percentage:

CONTINUOUS EVALUATION
– In-person participation – 20% of the global assessment;
– Written test or Individual/group work – 80% of the global assessment.

EXAM
– Mastery of syllabus – 70% of the overall assessment of the exam;
– Ability to communicate ideas – 30% of the overall assessment of the exam.

3.1- To know the main theories of art;
3.2- Identify and interpret specific cases in contemporary art;
3.3- Analyze and interpret works and art situations in their different historical, social and cultural contexts;
3.4- Understand the problem of the definition and function of art and its systems (production, market and institution);
3.5- Knowing how to analyze a work of art and make critical reflections on your own personal aesthetic experience.

4.1- Introduction to the study of art and definitions of art. The discourse of artists and theories of art;
4.2- Art theory;
4.2.1- Modern art: Vanguards, Fluxus, Wolf Wostel, Ernesto de Sousa (Alternativa Zero);
4.2.2- Post-modern art: Pop art, Neo-expressionism, Anti-aesthetics, Feminism, Post-colonialism art;
4.2.3- Contemporary art: Institutional Theory (George Dicky), “liquid modernity” (Zigmunt Bauman);
4.3 – The institutional system of contemporary art: museums, art centers, critics, collections, curators, artists, art galleries, art fairs (ARCO, Madrid, Lisbon, Basel, Miami) and biennials (Venice, S. Paulo).

• - Mastery of syllabus - 70.0%
• - Ability to communicate ideas - 30.0%

• - Attendance and Participation - 20.0%
• - Individual and/or Group Work - 80.0%

NAO

Bibliografia de consulta/existência obrigatória /
Main Bibliography Becker, H. (2010). Mundos da Arte. Livros Horizonte.
Burger, P. (1993). Teoria da Vanguarda. Vega.
Carrol, N. (2010). Filosofia da Arte. Texto & Grafia.
Chalumeau, J. ( 1997). As teorias da arte, filosofia, crítica e história. da arte de Platão aos nossos dias, Instituto Piaget.
Didier-Hubernan, G. (2011). O que nós vemos, o que nos olha. Dafne Editora.
Goldberg, R. (2007). A arte da performance: do futurismo ao presente. Orfeu Negro.
Grosenick, U. (2005). Mulheres Artistas nos séc. XX e XXI. Taschen.
Grosenick, U.; Riemshneider, B. (2005). Art Now. Taschen.
Heartney, E. (2001). Postmodernism. Tate Publishing.
Klee, P. (2003). Escritos sobre Arte. Cotovia.
Melo, A. (1998). Artes Plásticas em Portugal: dos anos 70 aos nossos dias. Difel.